Thursday, April 29, 2010
Dictionary -- The Public Sphere
Modernity, Spectatorship, Power
Production notes:
The camera pans over to the entrance of the room, and zooms in on me as I enter the room. It zooms in on my face, as I my gaze quickly sweeps the room before focusing upon the machine that I want to use. The camera follows as I quickly move towards a muscle toning machine—specifically for the muscles upon the abdomen. I awkwardly adjust the machine to a manageable level of resistance, blindly grasping at the handle while attempting to quickly sit down and start exercising in order to avoid attracting any attention. As I do repetitions of the exercise, my gaze is in a forward direction, staring at the back wall in fear that I shall make eye contact with a stranger. Every once in a while, I feel the sense of being watched, yet when I survey the room, every person seems absorbed in their own world, avoiding the gazes of other individuals. It may just be my own paranoia. I finish the exercises and walk out of the weight room; the camera follows my departure and zooms out, showing the entirety of the weight room as I leave.
Facebook Suicide
Facebook Suicide Attempts
Production Notes
Production Notes
I feel like the object of gaze when I’m walking around on campus which is weird because in reality that is probably when I’m least observed. I know everyone is just going about their day, but I feel like at any moment someone could be looking at me.
Production notes
Goal: Convey the self-consciousness induced by walking through a crowded area.
Girl enters (18-22) a crowded MU. She walks across the MU weaving throw fully occupied lunch tables. She mostly keeps her head forward, but occasionally looks down at the floor or at the squad.
She takes out a cell phone and writes and sends a text as she walks, so everyone knows she has friends. She knows people are looking at her.
The camera is on the other side of the quad, far away from the action it is capturing. It is like the camera is a person looking at the girl which is what she fears.
I have a Facebook profile, but I don’t spend that much time on it. I don’t really expect people to comment on my status, pics, etc., but it’s always nice when they do. I don’t want to commit Facebook suicide. Deleting your profile would be an admission that you can’t handle it. If a person spends all day on Facebook or likes the attention it gives them, deleting their profile isn’t going to do anything. Facebook didn’t create the concept of self promotion, it’s a human trait. If I committed Facebook suicide I’d lose contact with so many people and only gain an extra hour or two of free time a week, which I would probably spend watching TV. The problem isn’t Facebook; Facebook is cool. The problem is people have faults that can be highlighted by FB. If you are an “attention whore” deleting your FB profile won’t change that.
Production Notes
Production Notes: A student steps into a bus and struggles to find her ID.
Camera focuses on a student that is walking into the bus and puts her hand into her bag to pull out her ID. The Student is fairly short wearing a blue Aeropostale jacket, a white tank top, and jeans. Camera zooms into her surprised look when she cannot find what she is looking for. Camera is then directed to her hand searching through her bag struggling to find her ID as her face starts burning with embarrassment. Others who are seated in the bus already just stare and wait for her next reaction.
Facebook Suicide
Wednesday, April 28, 2010
On a production:
Production Notes:
Enter girl, 18-20, average in size. Just entering quad from double doors. Sign above the door reads “Coffee House” to make it obvious what she had been getting. The quad is empty, or at least, as far as the girl is aware, no one is around.
She is walking, focused on nothing, obviously contemplating something. Then she trips and spills coffee on her white shirt.
Suddenly, faces—all young adult males, 18-25, start popping up. They all stare, blankly. No emotion can be sensed.
The camera is now viewing a long outdoor walk way, obviously on the way to class. It is scanning back as the girl moves toward it. The faces and bodies grow in number. Every single one remains staring throughout the shot.
The girl sips her coffee, stares at the ground and speeds up. She catches up with the camera so that nothing in front of her can be seen.
Then she runs into a kissing couple. The couple cannot be seen until she has had contact and her coffee goes flying everywhere.
The guy looks pissed off and says in a snotty voice “I knew there was a reason we broke up.” The girl he had been kissing gives our heroine a once over and then laughs.
End scene.
The Gaze. terrified, mortified, petrified, stupidfied by gaze..
Production Notes: A student walks into Borders and triggers one large alarm.
The camera is in its neutral, free-floating position. A female with a height of 5’4” walks into Borders. She wears black jeans, orange Hollister sweater with hood and with #22 written on the front. She wears 5 yr old Uggs boots and enters the bookstore. The camera from the top and front zooms in close to the female. Suddenly, the alarm triggers and notifies securities with low-tone, but large, blinking beeps. The camera flashes in transparent red and white flashes, and also it zooms into the subject rapidly but not too uncomfortably for the viewers. The view of the camera change to left side via different camera. It shows the security, staffs behind the counter, and subject. The security asks the subject to open the bag so he can see what are in the bag. A quick two-second view shows the costumers, who are waiting in line, allegedly gaze at the subject. The view quickly returns to the subject by the left side camera and shows that the subject is released free.
The subject is taken to magazine section. This time, the camera shoots the subject from the front, and without any cut, the subject passes by the camera. Then, the camera follows the subject to the magazine section in first person view. Mild stutters are heard from the subject as the camera follows her. Lastly, the view is changed to bird’s eye view from the ceiling. Moments later, the subject slowly looks into the camera.
Modernity Spectatorship Power
Adbusters: Facebook Suicide
fearroyo on Facebook Suicide
In order to provide a fair position, I refer to individuals as addicts that invest at least 4 hours a week (or 10% of the standard fulltime employment status of a working individual) to modifying or altering their online persona through popular mainstream social-networking sites in an attempt to boost their popularity amongst their social group, peers, or acquaintances. I measure popularity as the time of the addict’s peers response to –since the time of posting- not only common statements with little educational content, but also provocative statements that incite an emotional response from an individual reading the addict’s posting.
Comprehending the issues that addicts, Facebook addicts, any particular type of addict within the realm of social-networking sites has been a confound for me, particularly because I find most of these sites useful to extract personal contact information to contact individuals in the real world through email rather than popular sites. Personally, I do indeed have a Facebook account, but one with very little investment with signs of little interest from when I first began to modify my account. I don’t think I would consider committing “Facebook suicide” as King did so in his personal crisis particularly because although I may not spend more than 20 minutes a week using my account to communicate with friends, acquaintances, and social groups (and that alone providing evidence for other’s to encourage committing Facebook suicide on the grounds that I am not active), I use Facebook as an archive of personal contact information that is likely to be updated more frequently than say extrapolating the information through other means such as asking an individual for any changes in their life. It would not occur to me to simply delete my Facebook account because I am not involved with creating an augmented persona, nor willingly wipe out precious contact information. I reiterate the idea of maintaining contact information on my peers in case of emergency, or if I need a favor from any particular person and wish to have the information ready on site.
I believe King’s article does capture the essence of the dilemma for online social-networking addicts; and that is the existential crisis that is accompanied by the question of what has more fungible capital value, the online persona, or the addict’s actual life?
I found this particular parody on social-networking addicts to be quite comical, the work is done by Flash artist Johnny Utah on the newgrounds.com website. Please be aware the parody contains disturbing scenes of violence and mild sexual references. Enjoy!
http://www.newgrounds.com/portal/view/498203
fearroyo on Modernity, Spectatorship, and Power
Now turning the gaze upon myself, I can see a severely shy young man with a very low wispy voice make an attempt to call the attentive cashier’s attention as the cashier is processing a patron’s groceries. The individual that is myself is holding his backpack by the single strap that his arm is through while the unoccupied arm is covering the hand on top of the backpack strap. The individual or rather the hero (such as the two young men in the McDonald’s commercial screened were dubbed heroes for their persistent efforts to overcome their hardships in adjusting to a new school system from the “Production Notes” screening) is finally able to summon enough audacity and voice to call the cashier’s attention long enough to ask his question. The cashier normally allows the hero to move along with his bag within the store, as the hero walks further and further into the store, he becomes significantly stiffer in his walk and manner of moving. The hero walks along with precise and mechanical movements, almost as though this young individual suffers from a joint-related condition that affects fluid movement. As he walks along the aisles, he is dreadful to lift up his head, when he does he finds the closest piece of surveillance equipment and sighs slightly in relief. Yet as the hero progresses, he is notably disturbed, he realizes he has been constantly watched, by eyes that permeate throughout the aisles of the store. The structure of the store is configured in an almost panopticon manner, the hero weary of what is behind the aisle wall he faces and who, or what may be around the corner as he progresses through his shopping. As he moves along the store, he catches a glimpse of them, and as soon as the hero catches sight of one to make any distinguished observations about the individual’s overall appearance, the surveillant-individual disappears back into the aisles under the stronghold of the walls of consumer products. As the hero nears the end of his journey, he realizes his movements become fluid again and his breath eases in tension before bidding a final thank you to the cashier who processes his groceries. The hero leaves the store with the forethought to bring his UC Davis sweater into the same store another time and remain observant to their ever-present onlookers that are in constant monitoring of the hero.
Self Surveilance
Sunday April 25: Note Others Surveying You
With my seminar canceled, I only left the house for an enjoyable bike ride by myself. There were many people outside enjoying the day. The only other source of people seeing me would have been the many traffic cameras in East Davis. At home I spent most of the time on the computer and xbox, both require me to log in to use their services, like check my email, play online, and look at smartsite.
Having spent most of my time on campus, I was seen by somebody most of the day. My photos were mainly taken at home when I was alone. I'd wake up groggy, eat breakfast cereal, spend the day in class and working, get home, unwind with a shower, candy, then sleep.
my favorite is probably the blue tongue from the Warhead; a moment where I might have been extremely self conscious if i were in public.
My simple answers for the questions as of now; more to come...
a. Discuss this experiment: Compare the instances of surveillance you each located during part one. What did you learn about your privacy and your relationship to media from this exercise?
Self concsiousness come and goes with the crowd.
b. Answer this question together: How does the act of being public change your actions? How was this exercise difficult for you.
Not alone most of the day. And I question if I really was alone when I thought I was...
c. In your everyday lives, what role does media play in your sense of a private self? What role does media play in your sense of a public self? Can have you ever been in, or can you imagine, a circumstance where a public persona/ lack of a private persona would be useful to you?
Even if I had the television on or was listening to music, I didn't feel like I was being observed. Though we are learning that television sells us to manufacturers and products are not sold to us, I still feel that it is my two way window to the world; I can see it but it can't see me.
Facebook Suicide
I have been a member of the Facebook “community” for over three years and I feel that it has progressively become less of a communicational device and more of a self-promotional tool. In Carmen Joy King’s essay, “Facebook Suicide,” the author expresses her reasoning on why she decided to cancel her Facebook account. She argues that Facebook drives constant self-enhancement for the current “look at me” generation as well as narcissistic behavior through social-networking websites. I have recently been feeling conflicted regarding the nature of Facebook and pulling myself out of its world. Positive effects of “Facebook suicide” would be knowing that I am no longer willingly advertising myself to the Facebook world just for the sake of attention and self promotion. I would almost argue that the Facebook world is favoring individual promotion rather community promotion, which ironically goes against the initial fashion of the website, which was created to foster the development of social networks and, ultimately, communities. However, committing “Facebook suicide” would have negative effects as well. Although communication does not seem like a priority of Facebook anymore, if I were to remove myself from it I feel like I would lose a sense of communication. Facebook facilitates an easy, casual way of contact between people as well as allowing an environment that drives the exchange of ideas between its members. If I were to cancel my account I would lose this sense of casual interaction that I cannot find using E-mail or the telephone.
Production Notes
One situation in my daily life when I feel particularly self-conscious is when I arrive to a lecture late when the teacher has already begun speaking and the hall is listening quietly. I feel self-conscious because I believe I am being disruptive and drawing attention away from the lecture to myself, a girl who is fumbling around trying to get the last seat in the middle of a row. I feel like a temporary spectacle, the subject of a gaze, where the other students have either the option to watch the professor that they see everyday or a clumsy freshman looking nervously around for a seat in the crowd. I become an object of the gaze because I not only have a sense of myself but have a sense of others and their potential judgments of myself.
Production Notes: A student walks into a busy class late attempting to find a seat.
Camera focuses on a student timidly walking into a crowded lecture hall. The student is female, short, wearing school sweatshirt and jeans with hair in a bun. Camera zooms to a clock on the wall that indicates the student is ten minutes late. Students who are seated are listening to the professor with either focused or bored expressions.
As the late student finds a seat in the middle of a row, those students seated there notice her. They move their backpacks and move more into their seats. The late student nervously apologizes until she has reached her seat. Those seated next to her continue to take notes. This illustrates that even though the late student thinks she is a source of "the gaze" and spectacle to the class, in actuality no one really cares about her lateness.
Blog 9 - Modernity Spectatorship Power
Aim: Show how different I am when in the Philippines
Story: I am walking with her family members in a mall in the Philippines and show how I is different in every way. Show the different experiences that just show that I am way different like buying shoes and shopping at certain stores.
To fully capture the feeling of the situation for me it to first show the crowd of shoppers which are short 5'5'' men and women that are speaking Tagalog and shopping. Then show my cousins and I walking into the mall. The difference between me and my cousins are that I am a foot taller, a darker shade of skin color, am bigger in terms of weight and size. After that scene show how many people have noticed me and are now staring at me as I shop. As I am shopping show how I am bigger in every sense like when I buy shoes my feet are bigger than my cousins, wear larger clothes than them and eat a lot more. Show that I am interested in stores that are not native to the country but are international like Levi's and Gap. Also When I speak Tagalog show that it doesn't sound like any one else because of my American accent.
When I was in the Philippines a couple years ago, I got out of the airport thinking that I would fit in perfectly and not be noticed by the people. I was completely wrong. Once I got out of the plane, everyone looked at me with this gaze that I could not understand. I finally realized why people did. I look really different from other Filipinos there. I am a lot bigger than most people than many Filipinos because I 5'9'' while most of them are about 5'5'' if they are lucky. I have a pointy nose while others have flat noses. I also don't speak the language very well. So there are just many discrepancies and people just notice them. The only way that other people dealt with them is by just staring at me.
Facebook Suicide
But do I use it in the way as the author of the article "Facebook Suicide" uses (or, rather used) it? No.
My Facebook account is primarily there, as a point of connection to the groups in my real life-- take, for example, the group of filmmakers who meet every Thursday on campus, the group of poets and audience who converge at the local bistro for some open mic time. In another words, the primary use of my Facebook account is to keep in touch with the groups in my "real life," as a facilitator between me and these groups (and their members). I am assured that should I need to contact the group or one of the members, the contact is possible (as opposed to in real life, in which personal contact information may not always be exchanged due to time constrain, etc.). Similarly, Facebook allows people whom I have met or do not meet regularly in "real life" to keep in touch with me, if only as a "temporary" communication in
between the times we would meet in real life.
So how would a Facebook suicide, as described in the article, affect me? It would certain make these "always available" contact information not available at my disposal. But if there is not the mentality that "the contact information is always available on Facebook," then the Facebook-less person in question could always ensure exchange of contact information upon meeting the person, or what one might call it "the old fashioned way"...but it could be argued, that the quality of the real life interaction would suffer without the contact information on Facebook or on the internet-- that the need to ensure exchange contact information, and having as much as possible of these exchanges, would cut down the time of the real interaction, and the attention paid to the interaction itself.
So while I do not exert effort to keep a perfect image of myself on Facebook, a Facebook suicide would make communication with my "real life" groups and their group members difficult; most of these groups meet regularly, so the issue at hand is not the meeting time, or the lack of knowledge of which-- the issue is that I would not be able to learn the specific topics of each meeting, which could affect my attendance or absence at these meetings. Of course, the lack of knowledge of the going-ons of the group is only an issue because these groups choose to use Facebook as the primary interface... if they so choose, they could use other interface, such as maintaining an email list, etc.
The author makes this argument in the article:
Facebook is not "real life." The use of Facebook by many is a way to fill up the empty void of modern alienation; further, the use of facebook to fill up modern alienation is a cycle that generate greater sense of alienation, as face book is not "real life."
I disagree strongly with the author argument on two points:
1) I feel that Facebook, along with other social networking sites, are what Marshall McLuhan might call neutral tools-- that what really matters, is how the tools are used. My Facebook use is not alienated from my "life life"-- the groups that I keep in touch through Facebook are groups in my real life.
2) the author deems "real life" as inherently valuable, where as "virtual life" is valueless and empty-- again, as I mentioned above, "virtual life" need not be divorced from "real life"-- further, if "virtual life" is a way to feed modern sense of alienation, as the author claims, then there's no guarantee that the interaction we have in "real life" is completely different from "virtual life".... in another words, it is perfectly feasible for one to carry on "empty Facebook conversations and narcissism" with people in real life, just as it is perfectly feasible for one to carry on analytical, well-thought-out conversations during interactions in "virtual life."
The author seems to imply that all Facebook use and socialization are empty voids, while all real life and socialization are meaningful and not empty-- but while the structure of "real life" and "virtual life" may affect the specific interaction and the content (or lack of) of the interaction, there's no reason to think that either "real life" interactions or "virtual life" interactions is inherently valuable or inherently valueless.
It should be pointed out here, that whether the interaction on either "real life" or "virtual life" is valuable and meaningful might have less to do with where the interactions occurs, and more to do with how the interaction is carried out-- the concept of the "neutral tool," as mentioned above, is what I believe to really matter on the issue of "real life" vs. "virtual life."
The Gaze Production Notes
I always feel particularly self-conscious when I go to the gym to work out during my day. I think it is because I believe everyone tends to look at you (the gaze) as you walk by the machine they are on, or because there are mirrors all around to look at yourself, and your body.
Production notes: The camera focuses on me as I walk into the gym holding a water bottle, ipod, and magazine. I keep my head down, and walk fast (have body language read nervous) to an elliptical machine that happens to be on the opposite side of the gym. I drop my water bottle, and hurry to pick it up (keeping eyes down still).
As the camera zooms out slowly it should show other gym members (college students, attractive, female, and male) working out on the machines, and not have them looking at me, but rather watching the TV or reading their own material. As I finally make it across the gym I get on the machine, and look up to see how many people are staring at me, and no one is.
I then look at the girl next to me (attractive, 20 year old) who has her ipod in, and is reading a book, and realize she didn’t even notice me get on the machine. I then look into the mirror, look at myself, and then begin to work out. I realize that “the gaze” I believe that follows me at the gym does not exist as much as I believe it does, unless it is myself looking in the mirror.
MEDIA EXPERIMENT: GROUP #2: SELF-SURVEILLED
Wednesday, April 28, 2010. Approximately 9:12AM, Walking to the Segundo Dining Commons for breakfast. Returning to dormitory approximately 9:57AM.
48 Hour Self-Surveillance
Update: Well, today (April 28th, 2010) the weather was on and off, so unfortunately I could not be about my typical day and record much of my daily events without risking my camera.
48 Hour Self-Surveillance
Update:
(April 30, 2010) I was finally able to go out and about after attending my morning discussion. I took a stroll through the arboretum and felt even then I was not completely alone despite the quiet paths.
Update:
(April 30, 2010) After my stroll through the arboretum, my mother calls and asks me if I would like to visit for the weekend. I live near Los Angeles.
Part Two: Self-Surveillance
a. Throughout actively seeking and noting surveillance equipment and tracking systems alike, I came to the quick realization that I spend most of my entire day with my head slightly tilted downward to the ground. I had not paid great attention to this particular style of walking and interacting with my surrounding world, but thinking back to Michel Foucault’s self-monitoring idea; I began to see the extent to which I consciously monitored my own movements to be aware of the position of my moving body parts relative to my torso. I realize, the idea of the possibility of always being monitored inhibited lucid movement of my body as I walked because I was conscientious of what different observers would perceive of my mode of walking (that I am assured hardly anyone would care). This was all significant to me during the course of the seventy-two hour self-surveillance because by walking with such a posture, head lowered and a blank stare throughout my day, I did not think of looking up in the Segundo dining commons and observing the little black hub cameras recording nearly all instances of patron behaviors. Nor did I consider looking up in various hallways to spot either conspicuous, or well hidden surveillance equipment to track individual movement. Then I quickly remembered how little the thought of the possibility of being constantly monitored impacted me prior to this experiment; I grew up in a cramped household and did not have an appreciation for privacy. I would greet my parents as they would depart for work in the mornings, and would converse with either one of my parents and describe my day. I slept in the living room because I gave what used to be my room to my four younger sisters.
b. Choosing to actively record and monitor my movements on a consistent basis and uploading my information from my digital camera to my laptop, to the group blog, and waiting for the process in it’s entirety to finish is a grueling waste of time – at least for me. Being public for me really translates into how productive I could be in doing something else that would get my work out of the way that much faster rather than carrying around my camera, taking photos, and moving through the process described earlier – frankly it’s annoying. I had to constantly remember to take photos of instances in which I believed to have felt myself in a private setting; the main issue for me was realizing when I was actually in the private moment and documenting the information. For example, during the experiment, I went home, there were various instances that I was blissfully unaware I was in an opportune time to record the private moments of my trip. It wasn’t until thereafter that I realize I should have documented the situation – I moved along.
c. In my everyday life I often feel despondent in figuring out what the media wants out of me. I consistently wake up a little before seven in the morning and turn on my laptop. While it’s loading up, I normally run through my list of assignments until my laptop is responsive and able to process applications quickly. I open my browser (firefox) and I usually read the front page of The London Times. I do not have class until nine in the morning, so I read up on the news, and I often question what web-embedded advertisements might my browser-add-ons filtered, block, and hidden from my plain sight at examining the news. The paranoia I have developed from previous computer mishaps in my childhood has made me built up an internet shield (a series of programs, anti-malware software, security add-ons, specific coding to block out instances of suspicious text, images, sites, etc.). I have not watched television a consistent basis since my sophomore year in high school, and in a public sense I feel greatly disconnected from my peers and colleagues. I often do not understand references, or jokes involving current popular television shows, what I do notice is the unusual direction advertisements have taken since I last watched television. Instances in my life where a lack of a private persona would be greatly beneficial –at least from what I think, would be during important social gatherings whether familial, or formal. I am usually too oblivious to notice other individuals when I go on about my day normally because in my mind there are thoughts racing through. I do not tune out the world, but I mainly ignore it in place of my own thoughts (in an egotistical sense) to what may be concerning at the moment (chronic self-reflection).
Tuesday, April 27, 2010
Object of the gaze, or Panoptican?
Production notes: pan camera across a classroom. There’s one circular seminar table, and about 15 college students sitting around it with one professor. The professor should be male, Caucasian, in his 50s, and look likeable but with the potential to be intimidating. The students should be a mix — half male and half female, all look alternative or trendy with the capacity to judge heavily. Students should be 20-23 years old, except one 18 year old girl.
Students are engaged in a heated discussion, it looks very intellectual. Students not talking are actively taking notes, the professor is nodding along. Hear a phone loudly vibrate, and shift camera to focus on the phone’s owner — female, petite, obviously the youngest of the group — who suddenly looks ashamed and unsure of her self. She reaches into her pocket and switches off the phone and resumes note taking hurriedly. Zoom the camera out slowly to show the rest of the class, who are still in discussion and don’t seem to particularly care about the girl or her phone. It becomes obvious she is reacting to the Panoptican — she is self-regulating in response to an expected, inspecting gaze from the rest of her class and professor.
Ideology, the gaze, and the Bus
Production Notes: Mark riding the crowded bus
Goal: Justify Mark riding a crowded bus rather than wait for a less crowded one.
Being one who doesn't waste time/ hates layovers, even for an hour between flights/ classes/ meetings, Mark leaves as late as possible to get to class. Of course everyone else does too. So Mark is crammed on to a bus with 70 other people, wheel chair seats up, back packs on the floor. Why didn't Mark catch a different bus? Any later and he'd be late to class; any earlier and there would be that early morning hang-time with no one to hang out with/ nothing to do on campus. Really, he has sleep to catch up on in that extra 40 minutes.
Why does he have to ride the bus? Walking to Campus would take three times long as riding the crowded bus. He would Bike and free him self of the crowded bus, but it's raining this week, and his commitment to being green/ riding his trendy fixed gear bike. He doesn't own a car, can't bum a ride, so it's the bus for him.
Are the buses "good"? public transportation reduce per capita pollution/ consumption waste/ all those things we have been told are bad. on the other hand, it sucks being uncomfortable and having our personal spaces invaded.
the gaze to look at your self through the window of ideology, as a subject of that thought structure.
Blog 8 - Adbusters
Kilburne's "Killing Us Softly 3"
Kilburne's "Killing Me Softly 3"
Monday, April 26, 2010
On Facebook suicide:
Much like the author, the deactivation occurs at the end of particularly active facebooking. Did I go to bed crying because of an ex-boyfriend’s wall-to-wall? Can I not go to class before changing my profile picture? These are the signs. The signs of an addict. But so what?
Facebook isn’t about me, or I, or Rebecca Peterson. Facebook is about everybody else who uses the site. I am only anal and self conscious in response to the scrutiny I routinely give other people’s profiles. I am only a facebook user because I care.
Some of my “friends” provide a connection to the past. I can’t bear to let go.
Some of my “friends” are a connection to the future—the people I can potentially get to know. The inside joke status update I can potentially be in on. The music that could be shared with me, the quotes that can be quoted to me, and the people that can mean something to me.
I’ve made friends in real life because of facebook. I’ve discovered my interest in past lovers through facebook stalking, and caught up with old friends through chat.
These moments are gratifying, to say the least.
But it’s when I’m pressing refresh, waiting for that profound development, that I have to stop and think about the healthiness of this all.
And when the day comes that I once again deactivate my profile, I know it can be reactivated. I can go back. I can always go back.
Facebook Suicide
Sunday, April 25, 2010
Adbuster's facebook Suicide
Killing us softly 3
Saturday, April 24, 2010
FB suicide
Facebook Suicide
I have a Facebook profile. And what the writer Carmen Joy King said, images have no meaning beyond “I look pretty from this angle” or “I’m wasted” or “look who my new boyfriend is.” is what I was and am. The reason why I upload my profile constantly is that, firstly, I want to snap a part of my lives and leave it over longer. Secondly, I don’t want to be disturbed from others but just want to disembogue the piece of my lives and share it with others or friends so that they can understand who I am, what I am doing and how everything is going well, without the help of face-to-face conversation. I was able to accomplish let my friends, family and acquaintances know how I am and also they let me know how they are by using the smart mediate daily tool.
Still, I know there are several side-effects. By doing so, we barely make a call, send a mail or actually meet but check their comments up regularly. To let them know how I really well or really bad, I have been uploading some made-up story and made-up images. Am I undergoing narcissism? Or maybe there is a subtle pressure to us to express ourselves for something we don’t notice. Even though we put these displeasures aside, we seem to ignore our responsibility to the new social network coping with almost every human relation.
Now the reality that the great ranges of works are done on the net, such as Facebook, is undeniable. That’s why quitting the Facebook means suicide at online life for the writer. However, the thing I’m carefully concerned about is having obstacle of communication or being paralyzed before innumerable Facebook users.
Thursday, April 22, 2010
Advertising_Consumer_Cultures_Desire
The product being sold in the original ad is that of male sexuality and vitality.
The difference between the Adbuster's ad (pictured above) and the original ad is that the from the manipulation of the sign and the text, the image of vitality and male sexuality is countered by the opposite connotation-- that of impotence.
Spoof Ads
Spoof
The ad is making fun of the cigarette company Kool, by showing how ridiculous it is to think cigarettes make you cool. I like this spoof because a lot of kids smoke because they think it’s cool and the company name is Kool, so they really deserve whatever mocking they get. Spoof ads work because they are not trying to sell people anything. They are just a visual representation of an opinion. We aren’t seeking or desiring anything from these ads so they are free to say whatever they want. Spoofing illustrates the stupidity of ads in general.
Killing
Ads convey more than just products they subsequently portray women as objects for men and provide guidelines of what a women should be.
Ad-Busting Obsession for Women
Killing Us Softly 3 Extra
fearroyo on Kilburne's "Killing Us Softly 3"
Wednesday, April 21, 2010
fearroyo on Adbusters
Joe Chemo Bed. This Spoof Ad is trying to sell the self-awareness and repercussions of a life built upon an empty shallow aspect of coolness.
An essential difference between this cultural jamming ad, or anti-ad and the targeted actual ad is that Joe Camel, the cartoon mascot of Camel Cigarettes brought controversy with regard to encouraging minors in the United States to pick up cigarette smoking. As mandated by the Public Health Services Commissioned Corps, tobacco products must carry a health warning on their products regarding the higher possibility and hazard of developing precancerous changes to one’s tissue from using tobacco products. Unfortunately, not many minors realize the long-term repercussions of their actions, especially under circumstances of drug abuse; hence the major controversy over the Joe Camel cartoon’s inception to market Camel Cigarette’s products to a wider audience. The spoof ad makes a mockery of the apparent ignorance of long-term addiction and habituation in using tobacco products resulting in the Joe Camel mascot entering an exhaustive chemotherapy regime to suppress and hopefully end the probable cancers within his body.
Spoof Ads, "ABSOLUTE VODKA"
Absolute Vodka’s one of advertisement "ABSOLUTE TRAGEDY"basically meant that empty bottle for consuming all of it shows drinker’s tragedy. The image and the short comment functioned to create consumer relationships to it as indispensable and make the product essential. So by seeing this humorous advertisement, the consumers approach one more bottle with a light heart.
On the contrary to this, the spoof ads, "ABSOLUTE HANGOVER" took it kind of unkindly but smartly by parody product’s properties that is able to cause real tragedy when you hangover with lethal dose of vodka. This anti-ad seems to focus on how to criticize and spoof Absolute’s logo and visual style by replacing a clean and luxury bottle with hang. The image of vodka bottle made of hangs rubs the original advertising in that it is only wrapped up its necessity and makes consumers believe as it is on the ads but not the reality.
Killing us softly 3
According to Kilburne in the ‘Killing Us Softly 3’, women showed through the media are bound by skewed image of advertising. The advertising imposes to have specific looks and do things on women consumer as it presents by retouched model images and unrealistic images. It aggresses people’s mind by ads implicitly or explicitly in a sense that they are supposed to do or buy a product at least for their better life.
The advertising takes advantage of great effect and arouses all kinds of forbidden desires within consumers. Kilburne pointed out one of the maladies of mass media is distorted images of women and its follower. To sell the products, the advertising exclaims the appropriateness of ideal women such as remaining full of youth and vitality and at the same time being delicate and dependent upon men’s care, adorning with jewels, cosmetics, perfumes to allure men. These ideas from media and advertising let people live for standardized purposes that eat into their heart and body.
Obsession for women
Obsession for women
Bottom Line
Realistically Yours
Killing Us Softly 3
"Absolute On Ice"
The spoof-ad for Absolut Vodka, featuring a deceased person’s foot as the promoted alcohol, is selling the real potential negative consequences of drinking this beverage. One essential difference between this spoof-ad and a real Absolut Vodka advertisement would be that this ad does not promote the message that if you buy this product you will have fun. Instead, it promotes the negative consequences, such as death, if you drink this beverage. Many ads today influence society to purchase them because they promote an enjoyable experience for its consumer. Real Absolut Vodka advertisements include other pleasurable desires that symbolize amusement and pleasure. For example, one real Absolut advertisement illustrates the bottle of Absolut in gold with a bowl diamonds next to it. This suggests that if you purchase this product you too will be able to be successful and own gold and diamonds. On the other hand, the spoof-ad illustrates a cold foot with a “Dead On Arrival” tag attached to it while the rest of the corpse is under autopsy sheet. This represents the complete opposite of fun and enjoyment, death. While real Absolut Vodka advertisements promote a good time and success, the spoof-ad represents the potential negative consequences of the product.